EDIT & COLOR
Editor and colorist with over 15 years of experience in post-production across fashion, luxury, and culture. I shape images through editing, color grading, and retouching, with a cinematic and detail-driven approach.
I co-directed Bad Like Brooklyn Dancehall, which premiered at Tribeca, and continue to work across both film and branded content.
Alongside post, I work as a photographer, known for documenting dancehall culture in New York and capturing candid moments with artists.
My practice moves between commercial work and personal projects, always grounded in strong visual storytelling.
COLOR
EDIT
FINISHING / VFX / MoCo Operator
Bad Like Brooklyn Dancehall
As young Jamaican immigrants across Brooklyn were coming of age during the 80s and 90s they were drawn to dancehall music to keep connected to life back home. Their preservation of key elements of culture through deejays, sound systems, and energetic dancing in New York’s seedy underground provides the unique atmosphere for an influential movement that was bubbling up in the shadow of hip hop.
Shot in New York City and Kingston, Jamaica under the guidance of executive producer Shaggy, and complemented by the safeguarded VHS tapes from notorious videomen of the times, this film satisfies the need for documentation of stories about the remarkable rise of the most under acknowledged music genre and its ever-present influence on a younger generation of Caribbean-Americans.
The World Premiere of BAD LIKE BROOKLYN DANCEHALL, directed by Ben DiGiacomo and co-directed by myself with executive produced by Shaggy, screened to sold-out audiences across three showings at the 2023 Tribeca Festival in New York City.
The feature documentary includes interviews with dancehall luminaries like Grammy Award-winning artists Shaggy and Sean Paul, the Jamaican-born father of hip hop Kool Herc, sound system selector LionFace (fka BabyFace), producer King Jammys, record label icon Patricia “Miss Pat” Chin of VP Records, trailblazing radio personalities Pat McKay and Bobby Konders, and many more.
The opening night audience was treated to post-screening musical performances by dancehall legends Screechy Dan and Red Fox, Ding Dong, and Shaggy himself, introduced by Max Glazer. (Website)